![]() And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. Shane Weller, Professor of Comparative Literature, University of Kentĭavid Lloyd, Distinguished Professor of English, University of California, Riversideįorming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. Brown has repeated the feat of writing with verve and intelligence about this process whereby Beckett rinses and cleanses our vision, showing cogently that Beckett’s nihilistic turpentine is the best remedy facing our moribund society of the spectacle.” Beckett does exactly the contrary: he removes the varnish from all images of the human condition, yet makes us see ourselves reflected in his dark mirror. ![]() “Brown reminds us of how the art dealer Duveen covered with thick varnish the paintings displayed in his shop, because his clients liked to see their image reflected in the works. “Informed by a judicious and lucid engagement with the work of Jacques Lacan, Brown offers a compelling analysis of Beckett’s relentless investigation of the act of seeing-and, above all, of not seeing.” Jean-Michel Rabaté, University of Pennsylvania, American Academy of Arts and Sciences
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